(Source: tecnoperverso, via eightylines)
(Source: garfieldsource, via eightylines)
(Source: messrspadfoot)
(Source: dreamdroid)
It’s alright, it’s alright — no one’s got it all.
I will reblog this because it is nice and I appreciate the song choice for the caption.
(Source: eightylines, via eightylines)
(Source: eeisenberg, via caparazona)
(via georgzierschnitz)
(Source: ggrint, via eightylines)
"I thought that kid fucking brought it, and I was incredibly thankful to be able to be there and record that performance. It’s an exceptionally brave and tremendous performance."
— David Fincher on Jesse Eisenberg’s performance in The Social Network (via thegirlwiththefinchertattoo)
(Source: insidemovies.ew.com, via thegirlwiththefinchertattoo)
I went to my friend for the money because that’s who I wanted to be partners with. Eduardo was the president of the Harvard Investors Association and he was also my best friend.
#the way Mark says this so matter-of-factly like there is no question that he wants to work with eduardo that eduardo is always the first person he thinks of the first person he would turn to and he LITERALLY DOES he has this almost involuntary reaction of turning his head to look at the chair where Eduardo was sitting the place where he’s gone and it’s this acknowledgement of who they were and who they are and how far they’ve drifted because he WAS he best friend but he’s not anymore and there’s that emptiness as real and tangible as that empty chair for mark where eduardo used to be #I JUST HAVE A LOT OF FEELINGS #THAT FUCKING CHAIR GUYS #THE THINGS THAT EMPTY CHAIR DOES TO MY SOUL
(via eightylines)
